Is Ronald Reagan’s Chicago boyhood home doomed?

While looking for photos for this week’s assignment, I came across this article from the Chicago Sun-Times, and found it pretty interesting. Especially with what we are looking at in class currently.

Locked up, abandoned and forgotten, the vacant six-flat standing at the northeast corner of 57th and Maryland has no plaques or statues and few clues to its history.

Study shows economic development value of historic preservation

With this week’s class topic, I found this article from this summer that I found somewhat interesting.

SALT LAKE CITY — Preserving historic buildings and sites creates jobs and increases property values, according to a study released Mondayby the Utah Heritage Foundation.

‘All the Way’ Stars Bryan Cranston as Lyndon B. Johnson –

‘All the Way’ Stars Bryan Cranston as Lyndon B. Johnson –

A new play about Lyndon Johnson– and a star vehicle for “Breaking Bad”‘s Bryan Cranston– opened last month in Cambridge MA.  From the review in the Times:


Concentrating on two parallel story lines — Johnson’s fight to pass the Civil Rights Act of 1964 and his maneuvering to secure a full term as president — the play dangles more subplots than a Congressional bill has earmarks: the sordid attempts by J. Edgar Hoover (Michael McKean) to discredit the Rev. Martin Luther King Jr. (Brandon J. Dirden); the infamous killing of three young men seeking to register black voters in Mississippi; the battle to seat black delegates from Mississippi at the 1964 Democratic National Convention that followed; and even comparatively minor incidents like the arrest of Johnson’s longtime aide-de-camp, Walter Jenkins (Christopher Liam Moore), for having sex in a men’s room.

“All the Way” works just fine as a PowerPoint lesson in political history, but it ultimately accrues minimal dramatic momentum. (The polished wooden set by Christopher Acebo is designed to suggest a Congressional chamber.) For policy wonks with an avid interest in the backroom deal making that doesn’t turn up on C-Span, the play will offer plenty to chew on. And yet for all its admirable attention to the complex currents of the period it covers, the wide focus drains the play of the narrative drive that makes for engrossing theater. (A countdown clock, noting the number of days to the presidential election, cannot really engender much suspense, since most in the audience will know how that contest ended.)


Theater rooted in history always faces a fundamental problem. Hew too closely to the complicated crosscurrents of the story and you risk shapelessness; take too many liberties in streamlining the drama and you’re no longer in the realm of fact. With the exception of his comparatively unshaded portrait of Johnson, Mr. Schenkkan comes down firmly on the side of complexity, which may be the honorable path, but not necessarily the more rewarding one for the audience.

‘12 Years a Slave’


A provocative panel discussion on the new movie, Twelve Years a Slave— part of a wave of recent films dealing with slavery and its legacy.

“I think this movie is much more real, to choose a word like that, than most of the history you see in the cinema. It gets you into the real world of slavery. That’s not easy to do. Also, there are little touches that are very revealing, like a flashback where a slave walks into a shop in Saratoga. Yes, absolutely, Southerners brought slaves into New York State. People went on vacation, and they brought a slave.”


A Discussion of Steve McQueen’s Film ‘12 Years a Slave’ –

Nazis, Lynching and Obamacare


The “uses of the past,” again:



Obamacare has proved to be not just ideologically divisive but linguistically fertile. There’s seemingly no event or passage in American history to which it can’t be compared.

The terrorist attacks of 9/11? Check. Back when Mike Pence, Indiana’s Republican governor, was still in Congress, he summoned that day’s horror to characterize the Supreme Court ruling that upheld the Affordable Care Act.

Slavery? Check. Ken Cuccinelli, the Republican candidate for governor of Virginia, has described opposition to Obamacare in terms of stands against fugitive slave laws.

The hyperbole and hysteria make any constructive debate impossible, and they insult the past, robbing important events of the specific meaning and individual detail they deserve.

via Nazis, Lynching and Obamacare –